Visiting the post-impressionist gallery on the 2nd floor of Musée d’Orsay in Paris, I realized how rapidly painting in the late 19th century evolved.
A new Pegasus roams the countryside of Macedonia. In the heart of the wine region, near Kavadarci, a donkey quietly grazes while recharging its batteries through the two solar panels deployed on its wings. As its owners lead it through the hills, Pegasus offers its 1000W batteries to anyone who might need them and allows his human companions to recharge their laptops and cameras when they camp at night.
Imagined by Philémon and Arnaud Verley, two artists from Lille, France, Pegasus is an experiment rather than an innovation. It has a use but no market. Yet the experiment illustrates brillantly how art and technology can team up to sketch out a different future where power generation could become portable and distributed amongst users.
Faced with the challenge of boosting its lunch-time sales, Korea’s supermarket Emart came up with an innovative response: ‘The Sunny Sale’. In every major city in Korea Emart have placed a large 3D sculpture, which, specifically between 12:00 and 13:00, projects shadows on itself in such a way that a QR code appears. Customers who scan the QR code on their smartphone can get a discount coupon for immediate shopping. Read more…